Last night I stumbled on a TED Intersections videos that’s got me thinking.
It featured visual effects artist Rob Bredow (whose fingerprints are all over the recent Star Wars films and series) and curator Nora Atkinson (who brought Burning Man to the Smithsonian).
On paper, the talk was framed as a look into the future of art. But what I took away felt more personal: a meditation on how technology and soul can coexist in creative work.
The talk zigzagged between stop-motion, LED walls, algorithmic art, and more. On the surface, it felt like a tech demo. But underneath was a bigger question: what happens when the tools get so powerful they risk overshadowing the artist?
That’s where it got personal.
I’ve always loved the tactile stuff—sketching, collaging, moving words around on paper until they click. But lately I’ve been leaning on digital tools that let me dream faster, remix more wildly, and share work with people I never could have reached otherwise.
Hearing Bredow talk about building entire universes with LED walls, and Atkinson reflect on curating experiences that blend art with engineering, I kept nodding along.
It’s the same tension I feel: the thrill of invention paired with the responsibility to keep the human heartbeat at the center.
The line that stuck with me was their reminder that technology doesn’t replace the artist—it expands the palette.
Stop-motion doesn’t stop being magical just because AI or photoreal CGI exist. Burning Man doesn’t stop being spiritual just because you can see it in a museum. The soul comes from intention, not the medium.
And that made me go, “Hmmm!”
Maybe the future of art isn’t a tug-of-war between human and machine. Maybe it’s a collaboration. Maybe the artist’s role isn’t to master every tool, but to choose wisely—to know what deserves the messiness of human touch and what can be amplified by the precision of code.
I don’t have answers yet. Just questions and sparks. But art that moves me usually reveals something about the people who made it—even if it’s built with tools that didn’t exist five years ago.
Keep calm and (AI?) art on!
Clint 🌈✌️
P.S. I’m catching up with a friend today who works in AI. We’re planning to talk shop and explore ways to bring new tech into my vintage photo videos. I’m excited to see what ideas emerge from our reunion.
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Well Clint you know my views on AI and I reckon if it's used in legitimately lawful ways then it can (?) have a purpose. Otherwise the 💩 stirrers and mischief makers will/can do irreparable damage to society and mankind.
Now to a little light relief and nonsense
https://youtu.be/FLss0Uk2ZeU?si=sb28GRu65OZpqaFP
Perhaps AI can magic a Pete the Meter Man for reading the Ivory Tower utility meters 😜 Cheers DougT 🇫🇴 o
Thanks Clint. 🌈👀 Currently reading: Josephine Baker's Secret War: The African American Star Who Fought for France and Freedom